Musicals at Richter

See you under the stars soon!

 

 




 


The reviews are in!!!

 "not to-be-missed production" that's "an absolute hoot," featuring a cast of actors that has an "abundance of extraordinary vocal talent, comedic chops, and a genuine sense of fun."

Elizabeth Young- The Newtown Bee
click HERE for review

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 "A wonderfully talented cast..."

 "I laughed a lot..."

 Nancy Sasso Janis- Patch

 click HERE for review

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"I am very impressed with the high level of talent..."

 "The show is brilliantly directed..."

 Sean Fallon- Broadway World

 click HERE for review


 

Lovingly ripped off from the classic film comedy "Monty Python and the Holy Grail," "Spamalot" retells the legend of King Arthur and his Knights of the Round Table, and features a bevy of beautiful show girls, not to mention cows, killer rabbits, and French people. The 2005 Broadway production won three Tony Awards, including Best Musical, and was followed by two successful West End runs. With book and lyrics by the legendary Eric Idle and music by Idle and John Du Prez, the outrageous, uproarious, and gloriously entertaining story of King Arthur and the Lady of the Lake will delight audiences as they search for the Holy Grail and “always look on the bright side of life.”

 
June 28 - July 13
Directed by

Shannon Courtney Denihan

Musical Direction
Tracey Marble

Claire Simard 

 

 

 Featured in the cast are Walter Cramer (King Arthur); Mike Armstrong (Patsy); 
Bob Filipowich (Robin); Tom Denihan (Lancelot); Rob Mayette (Bedevere); 
Mary Cantoni (The Lady of the Lake); and John Murphy (Historian).  

 Playing multiple roles throughout are John Armstrong, Lia Cruz, Robert Fontenelli, Vincent Fontenelli, Sydney Gershon, Danielle Keen, Jacob Litt, Emma Lubbers, Kevin McCarthy, Denise Milmerstadt, Teah Renzi, Daniel Satter, and Brenda Schoenfeld.
 

 

 
June 28 - July 13
Directed by
Shannon Courtney Denihan

Lovingly ripped off from the classic film comedy Monty Python and the Holy Grail, MONTY PYTHON’S SPAMALOT retells the legend of King Arthur and his Knights of the Round Table, and features a bevy of beautiful show girls, not to mention cows, killer rabbits, and French people. The 2005 Broadway production won three Tony Awards, including Best Musical, and was followed by two successful West End runs. With book and lyrics by the legendary Eric Idle and music by Idle and John Du Prez, the outrageous, uproarious, and gloriously entertaining story of King Arthur and the Lady of the Lake will delight audiences as they search for the Holy Grail and “always look on the bright side of life.”

 


King Arthur: Walter Cramer
Patsy/The Mayor/Guard 2: Mike Armstrong
Robin/Guard 1/Brother Maynard :Bob Flipowich
Lance/Taunter/Ni Knight/Tim: Tom Denihan
Galahad/Black Knight/Herbert Father:Daniel Satter
Bedevere/Mother/Concorde:Rob Mayette
Lady of the Lake: Mary Cantoni
Historian/Not Dead Fred/Frenchie: John Murphy
Laker Girls:
Teah Renzi**(Dance Captain)
Denise Milmerstadt
Brenda Schoenfeld
Emma Lubbers
Lia Cruz
Sydney Gershon
Danielle Keen
Kevin the Carter: John Armstrong
Bodies:
Kevin McCarthy
Vincent Fontenelli
Robert Fontenelli
John Murphy
Jacob Litt
Prince Herbert/Minstrel: Jacob Litt
Sir-Not-Appearing: Kevin McCarthy
Monks: Kevin McCarthy, John Armstrong, Daniel Satter, Jacob Litt
Fisch Slapping Dancers:
Teah Renzi
Denise Milmerstadt
Brenda Schoenfeld
Emma Lubbers
Lia Cruz
Sydney Gershon
Danielle Keen
Kevin McCarthy
Vincent Fontenelli
Robert Fontenelli
John Murphy
John Armstrong
Jacob Litt
Dancing Knights: Daniel Satter Jacob Litt
Vincent Fontenelli Robert Fontenelli 

Show Girls:
Teah Renzi**(Dance Captain) 
Denise Milmerstadt
Brenda Schoenfeld
Emma Lubbers
Lia Cruz
Sydney Gershon
Danielle Keen
GOD: John McMahon Knight #1: Vincent Fontenelli Knight #2: Robert Fontenelli French Guards: Jacob Litt Monk: Kevin McCarthy
Ni Knights:
Lia Cruz
Emma Lubbers
Sydney Gershon
Robins Mistrels:
John Murphy
John Armstrong


Synopsis

Act I The play begins with a historian giving a brief overview of medieval England. An idyllic Scandinavian village appears, with gaily dressed Finnish villagers singing and dancing to the “Fisch Schlapping Song.” The Historian returns, irritated, and tells them he said “England”, not Finland. The villagers disperse and the pastoral forest is immediately replaced by a dreary, dark village with penitent monks in hooded robes chanting Latin prayers and hitting themselves in the face with wooden boards. King Arthur travels the land with his servant Patsy (“King Arthur’s Song”), trying to recruit Knights of the Round Table to join him in Camelot and his quest for the Holy Grail. He encounters various strange people, including a pair of sentries who are more interested in debating whether two swallows could successfully carry a coconut than in guarding their castles. Sir Robin and Sir Lancelot meet as they attempt to dispose of the sickly Not Dead Fred (“He Is Not Dead Yet”). They agree to become Knights of the Round Table together. Meanwhile, Arthur attempts to convince a peasant named Dennis Galahad that he (Arthur) is king of England because the Lady of the Lake gave him Excalibur, the sword given only to the man fit to rule England. However, Dennis and his mother, Mrs. Galahad, are political radicals and deny that any king who has not been elected by the people has any legitimate right to rule over them. To settle the issue, Arthur has the Lady of the Lake and her Laker Girls appear to turn Dennis into a knight (“Come With Me”). Cheered on by the girls (“Laker Girls Cheer”), the Lady of the Lake turns Dennis into Sir Galahad and together, they sing a generic Broadway love song (“The Song That Goes Like This”). Together, with Sir Bedevere and Sir Not-Appearing-In-This-Show (a knight resembling Don Quixote who promptly apologizes and then leaves), they make up the Knights of the Round Table (“All for One”). The five knights gather in Camelot, a deliberately anachronistic place resembling Las Vegas’s Camelot-inspired Excalibur resort, complete with showgirls and oversized dice (“Knights of the Round Table” / “The Song That Goes Like This (Reprise)”). In the midst of their revelry, they are contacted by God (voiced by John Cleese) who tells them to locate the Holy Grail. Urged on by the Lady of the Lake (“Find Your Grail”), the Knights set off. They are viciously taunted by lewd French

 

soldiers at a castle they come to, and attempt to retaliate by sending them a large wooden rabbit in the style of the Trojan Horse; however, they realize after the fact that it was not as simple as leaving the rabbit and walking away – they were supposed to be inside of it. Defeated, they leave in a hurry when the French begin throwing various barnyard animals – including cows – at them (“Run Away”). Act II Sir Robin and his minstrels follow King Arthur and Patsy into a “dark and very expensive forest” where they are separated. King Arthur meets the Knights who say Ni, who demand a shrubbery. King Arthur despairs of finding one, but Patsy cheers him up (“Always Look on the Bright Side of Life”) and they find a shrubbery shortly after. The Knights accept it, but next demand that King Arthur put on a musical and bring it to Broadway. The Black Knight appears but King Arthur more or less defeats him by cutting off both his arms and legs, impaling his still-alive torso on a door, and leaving to find Sir Robin. Sir Robin, after wandering the forest for some time (“Brave Sir Robin”), finds King Arthur and insists that it would be impossible for them to accomplish this next task (“You Won’t Succeed on Broadway”). King Arthur and Patsy promptly set off in search of Jews. While the Lady of the Lake laments her lack of stage time (“The Diva’s Lament”), Sir Lancelot receives a letter from what he assumes is a young damsel in distress. He is a little surprised to find that the damsel is actually an effeminate young man named Herbert (“Where Are You?” / “Here Are You”) whose overbearing, music-hating father, the king, is forcing him into an arranged marriage. Lancelot advocates for Herbert after the king returns, and Lancelot is outed as a homosexual in the process (“His Name Is Lancelot”). King Arthur begins to give up hope of ever putting on the Broadway musical and laments that he is alone, even though Patsy has been with him the entire time (“I’m All Alone”). The Lady of the Lake appears and tells Arthur that he and the Knights have been in a Broadway musical all along. All that’s left is for King Arthur to find the Grail and marry someone. After picking up on some not-too-subtle hints, Arthur decides to marry the Lady of the Lake after he finds the Grail (“Twice In Every Show”). Reunited with his Knights, Arthur meets Tim the Enchanter who warns them of the danger of an evil rabbit. When the rabbit bites a knight’s head off, Arthur uses the Holy Hand Grenade of Antioch against it, knocking down a nearby hill and revealing that the “evil rabbit” was actually a puppet controlled by a surprised puppeteer. A large stone block showing a combination of letters and numbers is also revealed. After pondering the final clue, Arthur admits that they’re “a bit stumped with the clue thing” and asks God to “give them a hand”. The grail is “found”; Arthur marries the Lady of the Lake (who reveals that her name is Guinevere); Lancelot marries Herbert; and Sir Robin decides to pursue a career in musical theatre (“Act 2 Finale/ Always Look on the Bright Side of Life (Company Bow)”).

 

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